Scaffolding is a compelling one-woman show centred on the vibrant and enigmatic Sheridan, a
mother whose infectious energy initially masks the deep-seated trauma and challenges she faces.
As the play unfolds, we meet our protagonist, a lovable rogue who becomes infatuated with the
impending closure of her church. Yet, this obsession hints at a more profound issue, Adult Social
Care is closely monitoring her due to concerns about her nonverbal daughter. Isolated and with
nowhere else to turn, Sheridan makes the bold decision to climb atop the scaffolding surrounding
the church. Though she remains physically rooted on this precarious perch, the audience is swept
along on an emotional journey as she recounts her heart-wrenching story.
The play masterfully conveys its message without ever leaving the stage, using rapid-fire, relatable
emotions to create an unforgettable experience. This dark comedy skilfully charms the audience exploring the hardships of motherhood and the weight of generational trauma, all while
remaining deeply engaging and entertaining.
Even those unfamiliar with the intricacies of motherhood will find themselves captivated by
Sheridan’s irresistible childlike humour, such as her whimsical comparisons of the vicar to Hugh
Grant. The clever blend of childhood innocence with adult realities adds a nostalgic touch that
resonates with anyone who has grappled with trauma. By using humour as a coping mechanism
and turning to religion as a refuge, the play highlights the loneliness that stems from feeling
misunderstood. Yet amidst the chaos and trauma, there is a poignant vulnerability that speaks to
the shared experience of generational pain.
Throughout the play, you’ll find yourself laughing one moment and holding back tears the next—a
reflection of the complex reality faced by many in the character’s distressing situation. The loss of
control makes it difficult to manage emotions, especially when dealing with deep, unhealed
wounds. By mirroring these intense emotions between actor and audience, the play creates a
fleeting yet powerful sense of community. This shared experience reminds us that, even without
fully understanding one another, we can still find unity through the energy of love.
Scaffolding not only underscores the importance of passion and love but also delves into the
significance of self-reflection. While it may seem cliché, the play reminds us that nobody is perfect
—just as the church is imperfect, so too are we.
The simplicity of the scaffolding and thecharacter’s practical clothing contrast starkly with the extraordinary depth of grief explored on stage. At times it appears the actor forgets her lines, however, you are beyond immersed into her character that you may be thinking to yourself, did she actually forget or was it the display of imperfection that adds vulnerability to the story, that will be for you to decide. It leaves room for improvement and within these imperfections it frees up the space for us to do so.
In the end this must see show is an spectacular piece of writing that puts a unique, compelling
yet comedic twist on the beauty and hardships of grief. A counteract between optimism and
imperfections, a show that you will regret not seeing or better yet, experiencing.
This review was written by Who Cares? Scotland member, Leah Flint, who is a studying Journalism at Glasgow Caledonian University.
Scaffolding is on until the 26th of August and we still have some free tickets to give away. If you’d like to see it please email comms@whocaresscotland.org and tell us when you would like to go.
